Reality is What You Make it music-books-films. www.reality-entertainment.com Singles match. The singles match is the most basic of all professional wrestling matches, which involves only two competitors competing for one fall. Selections marked with an X are sold on the basis of one continuous minute being equal to the price of one reel. Please note that these searches only reflect a. Synopsis Light / The Holocaust & Humanity Project is a story of survival. Situated during the catastrophic events of the Holocaust, this work strives to illustrate. Maus is a graphic novel by American cartoonist Art Spiegelman, serialized from 1980 to 1991. It depicts Spiegelman interviewing his father about his experiences as a. NARRATOR: Paris, 1900. More than fifty million people from around the world visited the Universal Exposition—a world’s fair intended to promote greater. The state of drought declared in California has persisted for years culminating in the state’s driest year to date in 2015. This devastating drought stretches.
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This is one of the most original films ever made, and one of the most criminally underrated. This is the movie W.D Richter made before Slither was a gory. The Adventures of Buckaroo Banzai Across the 8th Dimension es una película de 1984 dirigida por W. D. Ricther y protagonizada por Peter Weller, John Lithgow, Ellen. "The very oddest good movie in many a full moon," Buckaroo Banzai combines "humor, imagination, a little oriental mysticism and a passel of sharp performances [into] very chic sci-fi" (Time)! Oscar(r) nominees* Peter Weller and John Lithgow team with Emmy(r) winners Ellen Barkin and Christopher Lloyd for a fiendishly clever, action-packed adventure in an outlandishworld you'll want to visit again and again! Brilliant brain surgeon Banzai (Weller) just made scientific history. Insane Dr. Lizado and his alien allies try to steal the secret of eighth dimensional travel from neurosurgeon/secret agent Buckaroo Banzai and his band of rock and. Amazon.com: The Adventures of Buckaroo Banzai Across the Eighth Dimension: Peter Weller, Ellen Barkin, Jeff Goldblum, Robert Ito, James Keane, Ronald Lacey, John. The Adventures of Buckaroo Banzai Across the 8th Dimension! often shortened to Buckaroo Banzai, is a 1984 American science fiction romantic adventure comedy film. The Adventures of Buckaroo Banzai Across the 8th Dimension (1984) Adventurer/surgeon/rock musician Buckaroo Banzai and his band of men, the Hong Kong Cavaliers, take. [The Adventures of Buckaroo Banzai Across the 8th Dimension (1984) DVDRip] (Buckaroo Banzai). [The Adventures of Buckaroo Banzai Across the 8th Dimension (1984. Directed by W.D. Richter. With Peter Weller, John Lithgow, Ellen Barkin, Jeff Goldblum. Adventurer/surgeon/rock musician Buckaroo Banzai and his band of men, the Hong. The Lady Vanishes is a 1938 British comic thriller film directed by Alfred Hitchcock and starring Margaret Lockwood, Michael Redgrave, Paul Lukas and Dame May Whitty. Watch The Lady Vanishes online. Get Unlimited Access to Hulu’s Library; Choose Limited or No Commercials. The Lady Vanishes is a 1979 English comedy mystery film directed by Anthony Page. Its screenplay by George Axelrod was based on the novel The Wheel Spins by Ethel Lina White (1876–1944). It stars Elliott Gould as Robert, Cybill Shepherd as Amanda (Iris), Angela Lansbury as Miss Froy, Herbert Lom, Arthur Lowe and Ian Carmichael as Charters and Caldicott. While traveling in continental Europe, a rich young playgirl realizes that an elderly lady seems to have disappeared from the train. The Lady Vanishes is a 1979 English comedy mystery film directed by Anthony Page. Its screenplay by George Axelrod was based on the novel The Wheel Spins by Ethel. The Lady Vanishes MovieThe Lady Vanishes packs in the suspense and style when Iris Carr, a beautiful young socialite traveling alone, befriends a kindly English middle-aged woman but wakes. The Lady Vanishes Hitchcock3 Peliculas De Accion: Violencia En La Obscuridad / Los Triunfadores / Tierra Sin Ley dvd releases9/24/2015 Homilías proclamadas en las celebraciones de la Eucaristía de la Basílica del Valle de los Caídos. Otra lista discutible, con las mejores películas de la década de los 80. Es una simple lista, sin mucha explicación ni orden, así que es muy pero que muy. Surge espectacular arcoiris tras ligera lluvia en la ciudad; Sorprende niño gimnasta de Siria; Recibe Papa bienvenida de estrella; Carla Morrison lanza videoclip de. La Madre Teresa, con su figura doblada, gastada por los años, custodió en su corazón, el amor de Dios que repartió entre los más desposeídos. Después de publicar esta noticia donde damos cuenta de la detención por un presunto asesinato de Lady Tabares, la protagonista de la película colombiana, estrenada. Índice. estudio preliminar. agosto. la visitaciÓn. los pÁjaros. los maniquÍes. tratado de los maniquÍes o el segundo gÉnesis. fin del tratado de los. Leer más en la fuente original: 10000 libros de Superación Personal para descargar gratis (parte1) «. Otra lista discutible, con las mejores películas de la década de los 80. Es una simple lista, sin mucha explicación ni orden, así que es muy pero que muy prescindible. Particularmente me sobran todas las de Eddie Murphy y me quedo con Blade Runner como la mejor. Supongo que el que ha hecho esta lista debió haber nacido a finales de los 70, lo único que explicaría muchos de los títulos que pueden verse. O eso, o está a punto de cerrar su videoclub y quiere encasquetar los títulos viejos … Pasan unos minutos de las doce y media de la noche y el taxi nos deja frente al pub. El portero abre la puerta sin mirarnos siquiera, pero en realidad es. Title: The Man Who Knew Too Much (1956) 7.5 /10. Want to share IMDb's rating on your own site? Use the HTML below. Show HTML View more styles. Paul Dacre of the Daily Mail: The man who hates liberal Britain? By Peter Wilby. Follow @@wilbypeter,, **** **** ****. Peter Wilby was. Use by Alice Walker. sporty man like Johnny Carson who shakes my hand and tells me what. She had hated the house that much. I used to think she hated Maggie, too. Directed by Alfred Hitchcock. With James Stewart, Doris Day, Brenda de Banzie, Bernard Miles. A family vacationing in Morocco accidentally stumble on to an assassination plot and the conspirators are determined to prevent them from interfering. The Curse Of Making Too Much Money And Not. Then man up and quit bitching!! IMO $. then this life became the only life they knew and it was too scary and. . in a way that brought to mind the bottom of a suitcase — ‘‘I didn’t change clothes too much.’’ The Ford fit the man. They knew nobody. He knew that the plant managers were. Glover still considered it too risky to. They also found the man they believed to be Kali, the man who had cost the music. The Man Who Knew Too Much BookA Muppets Christmas: Letters To Santa Tv ShowYour donations make it possible for Operation Letters To Santa to answer more letters to needy children during the Christmas season. A Muppets Christmas: Letters to Santa is a 2008 NBC television special, directed by Kirk R. Thatcher and produced by The Muppets Studio, featuring The Muppets in a. A Muppets Christmas: Letters To Santa Tv SeriesIf the children's letters to Santa are scrolling too fast for you to read, use the 'Pause Connection' button to stop the screen from scrolling. Http:// Kermit and the other muppets sing about going to airport to locate a way to make it to the North Pole so they can. When Gonzo accidentally diverts three letters to Santa, he talks Kermit and his friends to try to deliver them personally to the North Pole. Storyline When Gonzo accidentally diverts three letters to Santa, he talks Kermit and his friends to try to deliver them personally to the North Pole.','url':'http://www.imdb.com/title/tt1292569/','og_descr':'Directed by Kirk R. Thatcher. With Steve Whitmire, Dave Goelz, Bill Barretta, Eric Jacobson. When Gonzo accidentally diverts three letters to Santa, he talks Kermit and his friends to try to deliver them personally to the North Pole.
Thanks for visiting Santa Letter, your place for family friendly Christmas fun. Please browse our various sections to the left in the Candy Cane signs area, or check. ‘Insurrection’ was the first Star Trek film that I purposely avoided seeing in theaters. Before that, I’d seen all of them opening week, going all the way back. Star Trek: Insurrection is a 1998 American science fiction film released by Paramount Pictures. It is the ninth feature film in the Star Trek film franchise, and is the third film in the series to star the cast of the television series Star Trek: The Next Generation. In addition to that cast, F. Murray Abraham, Donna Murphy and Anthony Zerbe also appeared in main roles. The crew of the USS Enterprise-E rebel against Starfleet after they discover a conspiracy with a species known as the Son'a to steal the peaceful Ba'ku's planet for its rejuvenating properties. Paramount Studios sought a change in pace after the previous film, Star Trek: First Contact. Michael Piller was asked to write the script, which was created from story ideas by Piller and executive producer Rick Berman. The story's first drafts featured the Romulans, and the Son'a and Ba'ku were introduced in the third draft. After Ira Steven Behr reviewed the script, Piller revised it and added a subplot involving a romantic interest for Jean-Luc Picard. The ending was further revised after test screenings. The special effects depicting outer space were completely computer generated, a first for a Star Trek film. The Ba'ku village was fully built on location at Lake Sherwood, California, but suffered weather damage. Sets from the television series Star Trek: Voyager and Star Trek: Deep Space Nine were reused and redressed. Michael Westmore created the make-up for the new alien races, and Robert Blackman revised the Starfleet dress uniform designs. Sanja Milkovic Hayes created costumes for the Ba'ku from cellulose fibers, which were baked and glued together. Jerry Goldsmith produced the film's score; his fourth for the franchise. Insurrection was the highest-grossing film on its opening weekend, making US$22.4 million. The film made over $70.1 million in the United States and an additional $42.4 million in other territories, for a theatrical run of about $112.5 million worldwide. Critical responses to the film were mixed; the performance of Patrick Stewart and the directing of Jonathan Frakes were praised, while other critics compared it to an extended episode of television series. Insurrection was nominated for both a Saturn Award and a Hugo Award, but the only award it received was a Youth in Film Award for Michael Welch. The film has been released on videotape, DVD and Blu-ray home video formats. Lieutenant Commander Data (Brent Spiner) is temporarily transferred to an undercover mission observing the peaceful Ba'ku people. While on their planet, he malfunctions and reveals the presence of the joint Federation–Son'a task force observing the Ba'ku. Admiral Matthew Dougherty (Anthony Zerbe) contacts the USS Enterprise-E to obtain Data's schematics but adamantly states the presence of the Enterprise is not needed. Captain Picard decides to ignore these orders and takes the Enterprise to capture Data. After stopping Data, Captain Jean-Luc Picard (Patrick Stewart) becomes suspicious of Dougherty's insistence that the Enterprise is no longer needed. His crew investigates the cause of Data's malfunction. They discover that the Ba'ku are technologically advanced, but have rejected its use to live simpler lives. Due to unique radiation or "metaphasic particles" emanating from their planet's rings, they are effectively immortal. Dougherty's allies, the Son'a, are a decrepit race who use medical techniques to prevent death; their excessive use of cosmetic surgery gives them a mummified appearance. The Enterprise crew also begin to experience the rejuvenation effects of the planet: Lt. Commander Geordi La Forge (LeVar Burton) finds his eyes have regenerated and he no longer requires ocular implants; Commander William Riker (Jonathan Frakes) and Counselor Deanna Troi (Marina Sirtis) rekindle their long-abandoned relationship; and Picard develops a romantic relationship with the Ba'ku woman Anij (Donna Murphy). Data and Picard discover a submerged and cloaked Federation ship containing a gigantic holodeck set up to recreate the Ba'ku village. Data's malfunction stems from a Son'a attack, received when he discovered the vessel. Picard confronts Dougherty and learns that top Federation officers and the Son'a secretly planned to deceptively move the Ba'ku to the ship and forcibly relocate them to another planet, allowing the Son'a to collect the rejuvenating radiation (but poisoning the planet in the process). Dougherty orders the Enterprise to leave. Picard states the rejuvenation benefit of the radiation does not justify Dougherty's plans for the Ba'ku and violates the Prime Directive. He plans to alert the Federation of the forced relocation. Picard is joined by some of his crew to help the Ba'ku escape from being abducted while Riker takes the Enterprise to a transmission range and communicate the violation to Star Fleet. The Son'a send robotic probes to locate and capture the fleeing Ba'ku. The Son'a leader, Ahdar Ru'afo (F. Murray Abraham), convinces Dougherty to allow two Son'a ships to attack the Enterprise. Riker defeats the attacking ships and the Enterprise escapes. Their plan exposed, Ru'afo insists upon harvesting the radiation source immediately. Picard, Anij, and several Ba'ku are transported as prisoners onto the Son'a ship. Picard reveals to Dougherty that the Son'a and the Ba'ku are the same race and involving the Federation in a blood feud. The Son'a are a splinter faction of Ba'ku who gave up their bucolic existence a century earlier to embrace the use of technology. They attempted to seize power but failed, and the Ba'ku elders exiled them from the planet, denying them the rejuvenating effects of the rings. The Son'a developed an artificial and imperfect means to extend their lives at the cost of disfigurement. Ru'afo kills Admiral Dougherty when he backs out of the plan and Ru'afo proceeds with his plan. While Picard is escorted to be executed, he convinces the Son'a Gallatin (Gregg Henry) to help him stop Ru'afo. Picard masterminds a ruse to transport Ru'afo and his bridge crew to the holoship and shutdown the harvester. Ru'afo discovers the deception and transports to the radiation harvester ship to manually restart the process. Picard follows and sets the harvester to self-destruct, which kills Ru'afo while Picard is rescued by the Enterprise. The remaining Son'a are forgiven and welcomed back by the Ba'ku. Picard arranges a meeting between Gallatin and his Ba'ku mother. The Enterprise crew take a moment to enjoy their rejuvenated selves before returning to their previous mission. Patrick Stewart thought that the first Next Generation film, Star Trek Generations, was too much like a television episode but thought that his character, Captain Jean-Luc Picard, was redefined as a "movie hero" in Star Trek: First Contact. He was concerned that in the new film, the character would return to that seen in the television series. Michael Piller said that he felt that in order to be a hero, Picard "should be acting out of a moral and ethical mindset, and stand for principles that are important to mankind". Stewart was later pleased with the film's romantic sub-plot, calling it "charming" and saying that he was "feeling very good about it." He thought that the film had a lighter tone than previous films, saying, "It shows our crew having a little more fun than we normally see them doing". Stewart was disappointed that a scene in which Picard and Anij kiss was cut from the final version of the film, saying that "It was a studio decision, but still somewhat inexplicable to me as I feel the audience were waiting for some kind of romantic culmination to the relationship, which did happen and was extremely pleasant." Stewart received a producer's credit on the film. Jonathan Frakes appeared as Commander William Riker, and as with First Contact he directed the project. Brent Spiner starred as Lieutenant Commander Data. Spiner had asked for his character to be killed off in Insurrection because he was concerned that he was getting too old to play the role. His copy of the script came with a note from the production team saying, "Sorry, kill you later". The underwater scene required Spiner to wear more make-up than usual because it needed to be waterproof. LeVar Burton reprised his role of Lieutenant Commander Geordi La Forge; a month before the release of Insurrection he appeared in the role in a guest appearance in the Star Trek: Voyager episode "Timeless". Michael Dorn returned as Lieutenant Commander Worf; Dorn had portrayed that character in Deep Space Nine since 1995. Reprising her role as Doctor Beverly Crusher, Gates McFadden said that "Shooting Star Trek and getting paid to do it is great. But what's actually changed my life the most is travelling around and ... being a tiny little part of this huge mythology that has changed people's lives, in many ways for the better." Marina Sirtis appeared once more as Counselor Deanna Troi. She was positive about the film, saying "we've been involved with this for eleven years, we've done 179 episodes, three movies, and there are still surprises. There are more layers in this movie, it's not as black and white. It goes back to a lot of what Gene Roddenberry felt about Star Trek – I think he's going to be very happy up there when he sees this movie." Before the casting process, no actors had been considered for the roles of the Son'a leader, the Ba'ku woman, and the Starfleet admiral. The Son'a leader, Ahdar Ru'afo, was portrayed by F. Murray Abraham, who won an Academy Award for his performance in Amadeus. Abraham was given the role without an audition. Abraham said of the franchise, "I was around when the series was first introduced to television and it was a hoot", He praised his make-up and prosthetics, saying "The idea that you can be somebody else behind the mask is an extraordinary feeling – it's very primitive and mysterious. A gap opens somewhere in the brain and it encourages wildness. It had me chewing at the scenery". He was particularly pleased to be working with Patrick Stewart. Donna Murphy played the Ba'ku woman Anij, who is Picard's love interest. Eighty actresses auditioned for the role, which was awarded to Murphy who had previously won two Tony Awards for her roles in the Broadway musicals Passion and The King and I. Murphy was such a favorite of Frakes and the producers that after auditioning, only a small number of other actresses were seen. She said of the role, "I feel a great honor and responsibility to be a part of this film, because I know that the Star Trek audience has such a devotion to and affection for these richly drawn characters." Anthony Zerbe originally auditioned for the role of Ru'afo, and was considered to be the best choice for it. However, the production team decided instead to cast him in the role of Admiral Matthew Dougherty. During Zerbe's audition, instead of reading the lines provided, he recited Dante's Inferno before seamlessly moving into the script. Frakes and the producers unanimously decided to award him the part of Dougherty. In the film's smaller roles, Stephanie Niznik played Ensign Kell Perim and Daniel Hugh Kelly appeared as Sojef. Gregg Henry appeared as Gallatin, and child actor Michael Welch played the Ba'ku child Artim. Michael Horton returned as the tactical officer he portrayed in First Contact; his character was called Lieutenant Daniels in this film. Rage Against the Machine and Audioslave guitarist Tom Morello played a Son'a warrior. Morello's make-up regime began at 5am, at which time he said he would normally "be crawling back into my coffin". Several of the film's actors had previously appeared in the Star Trek franchise. Bruce French, who portrayed Son'a Officer Number 1, appeared as Sabin Genestra in the The Next Generation episode "The Drumhead" and as the Ocampa doctor in the Voyager pilot episode. Son'a Officer Number 3 was played by Joseph Ruskin, who appeared in four episodes across the Star Trek franchise: The Original Series episode "The Gamesters of Triskelion", and the Deep Space Nine episodes "Improbable Cause" and "Looking for par'Mach in All the Wrong Places" and the Voyager episode "Gravity". McKenzie Westmore, daughter of make-up supervisor Michael Westmore, played a Ba'ku woman. She previously appeared as a child in The Next Generation season one episode "When the Bough Breaks" and as Ensign Jenkins in the Voyager episode "Warhead". Scenes cut from the film would have featured two of the actors who played Ferengi on Deep Space Nine: Max Grodénchik, more familiar as Rom, was to have appeared as a Trill in the library scene. Armin Shimerman reprised his role as Quark in a scene in which he tries to set up timeshares on the Ba'ku planet at the end of the film. Following the success of First Contact, Paramount Pictures wanted a change in pace to give the follow-up film a lighter tone. Since Star Trek IV: The Voyage Home was light in tone, yet was the most successful of all the Star Trek films at the box office, Paramount reasoned that this success could be repeated with the new film. Michael Piller was asked to write the script, and accepted the position. Piller was in development hell with another project which he wished to get out of. He wanted to give the crew a feeling of family, with a story featuring overtones of the Joseph Conrad novel Heart of Darkness. Rick Berman wanted to see Picard undertake a rescue mission in a similar manner to the 1937 film, The Prisoner of Zenda. Berman also originated an idea to have Picard kidnapped, and replaced with a surgically modified imposter. Piller was doubtful about Berman's idea, reasoning that the audience would not want to see an entire film in which Picard is not the lead star – the character would look like Patrick Stewart but would be different. A further idea from Berman would have seen the return of Lore, last seen in the episode "Descent", in a film which was described as similar in tone to Star Trek II: The Wrath of Khan. Piller initially thought to write a Fountain of Youth-type story, later saying, "Everybody's consumed with images of youth. There's commercials, plastic surgery – our culture seems obsessed with youth." He called the initial treatment "Heart of Lightness". Eric A. Stillwell was Piller's executive assistant and script coordinator. When Piller agreed to write a book about the making of Insurrection, Pocket Books hired Stillwell as Piller's typist and research assistant. The book went unpublished, and it was alleged that Paramount Pictures suppressed it. Following Piller's death in 2005, the book was published on the internet. Piller created a first draft treatment for the film entitled Star Trek: Stardust, with the title taken from the song by Hoagy Carmichael after hearing Nat King Cole's version on the radio. The treatment featured Picard resigning from Starfleet after he is sent to retrieve a population and their youth-giving power, and bring them to an alien government, and included a betrayal by Picard's rogue colleague. The draft went through several versions with only the crew's mission and the Briar Patch – named after the area from the Br'er Rabbit stories – remaining. Berman suggested that Data become the renegade crew-member that Picard must deal with. The plot was similar to The Next Generation episode "Homeward" in that a people were being relocated through use of a holodeck. The use of a duck blind to observe cultures was previously used in the episode "Who Watches the Watchers". In one draft, Picard kills Data early in the film, and the android is later resurrected to help the Captain in the finale. The first two drafts featured the Romulans as the protagonists, since they had never prominently appeared in a Star Trek film. The second draft was seen by Jonathan Dolgen at the studio; Dolgen was not pleased and Patrick Stewart thought that it would have been only suitable for a television episode. In the third draft, the Son'a were introduced as the children of the Ba'ku and the alien race that wanted to plunder the planet. That version also included the crew sub-plots, such as the Troi-Riker romance and the regeneration of La Forge's eyes. Stewart, who was concerned that the film was a step back in scope from First Contact, was consulted on the treatments. Piller drafted the first version of the script and asked Ira Steven Behr, executive producer of Star Trek: Deep Space Nine, to review it. Behr was critical of the script, describing the Son'a as "paper tigers". Piller said that "I knew he was right. There's no question that first draft was trying to tell two stories, and that's one too many for a movie." Piller re-drafted the script, adding a romantic subplot for Picard in the shape of Anij, a Ba'ku woman. He added gravitas to the Son'a to make them more menacing, and the ending was changed to include a massive Son'a collector ship and a confrontation between Picard and Ru'afo aboard the ship. A version of the script was subsequently leaked onto the internet. At the same time, Piller and Berman were exploring titles for the film – including Prime Directive, The Directive, The Resignation, The Enemy Within, Breach of Promise, Dereliction of Duty and Apostasy – because they reasoned that they could not submit it to the studio under the title of Stardust. They could not settle on a title so they submitted it as Star Trek IX. The studio was pleased with the post-Behr version of the script, which was the first version of the script they saw – having previously only seen pre-script treatments. In a memo to Piller, it was described as "easily the funniest and sexiest Star Trek story to date". They gave Piller a series of directions, including a request for a resolution to the Troi and Riker romance and for the character of Reginald Barclay to be replaced with expanded roles either for Beverley Crusher, Worf, or a new character. Patrick Stewart sought a change to the script to have the crew defend the Ba'ku village in the manner of the Battle of the Alamo instead of fleeing into the mountains. Piller could not find a feasible way to include this in the script, and the budget ruled out the creation of Alamo-like structures in the mountains. Several titles were considered for the film as shooting approached. Star Trek: Where Time Stands Still, Star Trek: Forever and Star Trek: Beyond Paradise were all considered but were rejected. Piller's favorite was Star Trek: Sacred Honor, but the studio rejected this because they were concerned that it sounded too religious. When shooting began, the film was still called Star Trek IX. The final version of the script was distributed to the cast, but Patrick Stewart did not receive a copy. Berman was concerned that if anyone had a problem with it, they would call Stewart to complain and it would appear as though Stewart was being left out because he had criticized the story. LeVar Burton called Stewart to praise the script. Stewart was sent a copy and requested a meeting to discuss changes. Piller feared the worst, but after a twenty-minute meeting with Stewart, who requested several dialogue changes, the script was finalized. During pre-production, the marketing department wanted to decide a title, preferring Star Trek: Revolution. Alan Spencer – a friend of Piller – suggested Insurrection, which was selected from a choice of Insurrection, Rebellion, High Treason and Act of Treason. After filming was complete, test screenings were held, and the production team became aware of a problem with the ending. In the original ending, Ru'afo is ejected into space from the Son'a collector ship and de-ages rapidly as he floats amongst the rings of the planet Ba'ku. The revised ending saw the Enterprise swoop in at the last minute to save Picard and destroy the collector ship with Ru'afo aboard. The studio liked the new ending but wanted a bigger space battle. The production team agreed providing they could postpone the release to allow enough time for this. Because the studio wanted Insurrection to be released in time for Christmas, no further revisions were made to the ending. Insurrection was the first Star Trek film with space-based effects produced entirely using computer-generated imagery (CGI). While CGI had been used for specific effects since Star Trek II: The Wrath of Khan; Insurrection was the first Star Trek film to be made without using physical models of spacecraft. Santa Barbara Studios produced the effects, which included CGI starship models. The texture on the model of the Enterprise-E was created from a series of close-up photographs of the model Enterprise which had been used in First Contact. The planet-based effects, such as phaser fire, transporter effects and the Son'a drones were created by Blue Sky Studios. Peter Lauritson was the co-producer for post-production. Herman Zimmerman was the production designer, and had three months to design and construct 55 full sets for the film – eighteen more than used in the previous film in the series. Zimmerman said that it was "probably the most scenery we've built for a Star Trek motion picture since the first one, when everything was brand new". The Ba'ku village was built in full scale on location at Lake Sherwood, California, with architectural designs combining Thai, Balinese and Polynesian styles. The village included a bakery, a farm with a full irrigation system, a city hall, and a city square which was referred to as the "rotunda". The location shoot lasted for six weeks. The buildings included sections built with styrofoam, which were cut out using computer aided design and computer-aided manufacturing techniques. These were covered in hardcoat to make them look as though they were made from stone, but they were not made waterproof. The set suffered water damage following record-levels of rainfall during the spring of 1998. The foam warped as it dried out in the sun, causing delays in shooting while repairs were made. Sets built for use in Star Trek: Voyager were redressed to appear as the Enterprise-E in Insurrection; Captain Janeway's quarters became Picard's, the Voyager briefing room became Riker's quarters, and part of the Voyager engineering set became the Enterprise library. The interior of the scoutship manned by Data was originally the cockpit of the Voyager 's shuttlecraft, while the interior of the Enterprise shuttlecraft used the interior set from a Star Trek: Deep Space Nine Runabout. Filming began on March 31, 1998 and concluded on July 2. According to Frakes, half of the time shooting was spent on location. The scenes in which the Enterprise crew and the Ba'ku take refuge in the mountains were shot on location above Lake Sabrina in the Sierra Nevada in locations which could only be reached by helicopter. The location was around 10,000 feet (3,000 m) above sea level, and a medic was on standby with oxygen if the cast or crew required it. After filming, parts of the interior sets of the So'na ships were added using CGI. Stage 15 on the Paramount lot was used for the climactic scene between Picard and Ru'afo. Because of the dangers of the four-story scaffolding-like set, the actors were attached by safety cables at all times. Paramount's B tank – which was used to represent San Francisco Bay in Star Trek IV: The Voyage Home – was used to shoot footage of Picard, Data and Anij at the Ba'ku lake. For a scene in which Data walks along a lake-bed, the actor's tricorder prop was covered with plastic to make it watertight. Make-up supervisor Michael Westmore aimed to create a look for the Son'a that was not exaggerated. He consulted several sculptors; Dean Jones, who was on the production staff for Star Trek: Deep Space Nine, created the look. The prosthetics for Ru'afo consisted of overlapping layers that were stretched over Abraham's head. Westmore said Abraham's prosthetics was "like a rubber band, F. Murray Abraham could turn his head and the skin would look translucent. It was so thin, and the layers were pulling on each other." The two other aliens on the Son'a vessels also had specific prosthetic make-up designs created. The Tarlac's look was based reptilian skin, while the Ellora required only nose and forehead prosthetics. The film also gave costume designer Robert Blackman an opportunity to address issues with the Starfleet dress uniforms, which Blackman had changed on several occasions during The Next Generation. The uniforms appeared for the first time in the episode "Lonely Among Us", and were based on the 18th century designs for the Royal Navy. For Insurrection, Blackman initially thought of creating a uniform with short jackets in blue, red and gold, which he later said was "not a good idea". His eventual design removed the color palettes for specific divisions. Blackman said, "No matter what, white over black has a formal look to it." Sanja Milkovic Hayes created the remaining new costumes for the film. She avoided making the Ba'ku look too cute, and used material made from cellulose fiber specifically created for Insurrection. She said it was organic, and was simply cooked and then glued together. The Son'a costumes were made from layers of crushed velvet and metal strips. The female bodysuits were made of latex; Hayes wanted them to appear "sexy, but not vulgar" and described the outfits as "very conservative". The score for Insurrection was composed by Jerry Goldsmith; his fourth score for the franchise. Goldsmith continued using the march and Klingon themes written for Star Trek: The Motion Picture in 1979, adding new themes and variations. Insurrection opens with Alexander Courage's Star Trek: The Original Series fanfare, introducing a six-note motif used in many of the film's action sequences. The Ba'ku are scored with a pastoral theme with repeating harps, string sections and a woodwind solo. The Ba'ku's ability to slow time was accompanied with a variation of this music. Goldsmith used quick bursts of brass music to accompany the starship sequences. For scenes in which observers are watching the Ba'ku unseen, Goldsmith used a "spying theme" that resembles his conspiracy theme from Capricorn One. Composed of a piano, timpani percussion, and brass, the theme builds until it is interrupted by the action theme as Data opens fire. Goldsmith did not write a motif for the Son'a, but scored the action sequence without designating the Son'a as an antagonist, suggesting the film's revelation that the Son'a and Ba'ku are related. The film's climax is scored with the action theme, which is balanced with "sense of wonder" music similar to cues from The Motion Picture. One scene in the film shows Patrick Stewart and Brent Spiner conducting a duet of A British Tar from the Gilbert and Sullivan comic-opera H.M.S. Pinafore. This replaced the original idea of Picard and Data reciting scenes from Shakespeare's play King Lear. Stewart had suggested that they sing Three Little Maids from School are we from The Mikado instead, but the producers described this as "too vulgar". Stewart and Spiner had previously sung together on Spiner's 1991 album Ol' Yellow Eyes Is Back. In 2013, GNP Crescendo Records re-released the soundtrack for the film as an expanded collector's edition [GNPD 8082], featuring previously unreleased tracks by Goldsmith plus four bonus tracks. Tracklisting for the expanded edition (tracks in italics also on the original release): Ba'ku Village (6:53) Out of Orbit/Take Us In (1:44) Come Out (2:34) In Custody (1:14) Warp Capability/The Planet/Children's Story (2:33) The Holodeck (4:35) How Old Are You/New Sight (6:14) Lost Ship/Prepare the Ship (2:39) As Long As We Can (1:40) Not Functioning/Send Your Ships (2:55) Growing Up/Wild Flowers/Photon Torpedo (2:55) The Drones Attack (4:15) The Riker Maneuver (3:15) Stay With Me (1:48) The Same Race (2:50) The Collector (1:10) No Threat (4:18) Tractor Beam (:38) The Healing Process (revised) (5:04) The Healing Process (original version) (7:17) End Credits (5:30) Ba'ku Village (alternate ending) (3:53) The Holodeck (alternate opening) (1:12) Growing Up (alternate) (1:21) Tractor Beam (alternate) (:38) The world premiere of Insurrection launched the 1998 CineVegas film festival. It went on general release in North America on December 11, 1998. The film grossed $22.4 million over the opening weekend; the most of any film during that period. It averaged a total of $8,417 per location across 2,620 theaters, but fell short of the opening weekend takings of both First Contact and Generations, which were $30.7 million and $23.1 million respectively. Insurrection was the highest-grossing film during the first week of its release in the United States, and stayed in the top ten for a further three weeks. During its first week of release in the UK, it was the highest-grossing film, exceeding the takings of the Will Smith film Enemy of the State. It went on to gross $70,187,658 in the US and $42,400,000 overseas for a total of $112,587,658 worldwide against a $58 million budget. It was the first Star Trek film to be promoted through the official website, which was called the "Star Trek Continuum" at the time. Following the success of the film, Rick Berman said that he wanted to release the next film in the series three years after Insurrection. Referencing Stanley Kubrick's 2001: A Space Odyssey, he said, "The notion of releasing a science fiction film in the year 2001 is very seductive." The critical response to Insurrection was mixed. Review aggregation website Rotten Tomatoes gave the film a score of 55% based on 67 reviews. The Los Angeles Daily News said that the film had the "bare bones of one of those pseudo-philosophical political allegories Trek has always done so entertainingly. But the movie blows it." It praised the directing of Jonathan Frakes and the computer generated special effects and gave the film two and a half stars overall. The Daily Herald also gave the film two and a half stars, describing it as a "slickly made" movie with a plot "scaled down to its TV roots", and criticized the "frivolous" romance between Riker and Troi. The Washington Times gave the film one and a half stars, saying that it was "consistently flat-footed and slow on the uptake", and that there was "ramshackle confusion during the climactic scenes". The Daily Mail praised the moral point the film was attempting to raise as well as the acting abilities of Patrick Stewart, giving the movie four stars. The Scottish Daily Record praised F. Murray Abraham and described Anthony Zerbe as "ever-dependable". It said the plot was good, but that it was simply an extended episode of The Next Generation, and gave it a score of six out of ten. The British newspaper The People also said it was an extended television episode. The Independent said that Insurrection "never stops being familiarly jolly and antiquated", and called the entire Star Trek film franchise "old-fashioned". The Washington Post also called the film old fashioned, but "in the best sense of the word", and said that the film did what the "doctor – make that Dr. 'Bones' McCoy – ordered". British journalist Simon Rose, writing for The Daily Mirror was more critical of the film, saying that it failed to break the odd-numbered Star Trek film curse, and that it was "feeble", "moribund" and "tedious". However, Josh Spiegel writing for the Buffalo News said that Insurrection broke the odd-numbered film rule. Further criticism came from the Birmingham Evening Mail, which said that it was "an adult form of entertainment equivalent to Teletubbies for babies", and that there were "lots of repetition, rubbery faces, gibberish dialogue, characters leaping up and down in funny suits and some very basic effects". The reviewer gave the film two stars for fans, and none for non-fans. In Folklore / Cinema: Popular Film as Vernacular Culture, the actions of Data and the Ba'ku child Artim in Insurrection are seen as "a metamorphosis motif where a child becomes computerlike and a computer/ android becomes more childlike". Data specifically "is a metaphor for a child who seeks to understand what being human means and then, like the velveteen rabbit, wishes to become. From confronting his father and evil brother to finding his mother, Data also represents the potential within all of us to quest for a fuller humanity". The film was nominated for the Saturn Award for Best Science Fiction Film at the 25th Saturn Awards; the prize was shared by Armageddon and Dark City. In 1999, it was nominated for the Hugo Award for Best Dramatic Presentation, which went to The Truman Show. It was nominated for Best Family Feature Film: Drama at the 20th Youth in Film Awards and won the individual award for Best Performance in a Feature Film: Supporting Young Actor for Michael Welch. The first home media release of the film was made simultaneously on VHS and DVD on May 11, 1999, in the United States, and outside the US on VHS later that year. The film was released on June 5, 2000, in the United Kingdom, and was one of the first titles to be released on DVD by Paramount Home Entertainment International in Europe and Japan. A video game which followed up on the events of Insurrection was released in 2000. Entitled Star Trek: Hidden Evil, it was set nine months after the events depicted in the film. In its narrative, Son'a colony has been created on Ba'ku, and an archaeological discovery which shares similarities with The Next Generation episode "The Chase" is made. The game was developed by Presto Studios and published by Activision. An Insurrection "Special Collector's Edition" two-disc set was released in 2005 at the same time as three other Next Generation films and Star Trek: Enterprise 's fourth season, marking the first time that every film and episode of the franchise was available on home video. The film was presented with the same technical specifications as the previous release and a new DTS soundtrack, but it shipped without an audio commentary. The DVD includes a text track by Michael and Denise Okuda that provides production trivia and relevant facts about the Star Trek universe. The second disc contains six "making-of" videos, including one about the construction of the Ba'ku village and one about Michael Westmore's make-up designs for the film. As part of a collection of Star Trek:The Next Generation films, Insurrection was released on Blu-ray and DVD on September 22, 2009. The Blu-ray transfer is presented in 1080p high definition enhanced for widescreen television and features 5.1 Dolby TrueHD audio in English, French and Spanish. The release also contains "Creating the Illusion" featurettes and new commentary by Jonathan Frakes and Marina Sirtis. Insurrection was released on Netflix streaming on July 1, 2015. Star Trek film franchisesubscription required) Wikiquote has quotations related to: Star Trek: Insurrection Official website Star Trek: Insurrection at the Internet Movie Database Star Trek: Insurrection at Memory Alpha (a Star Trek wiki) Star Trek: Insurrection 1998
The Official web site which includes plot information and pictures. Star Trek: Insurrection is a 1998 American science fiction film released by Paramount Pictures. It is the ninth feature film in the Star Trek film franchise, and is. This feature is not available right now. Please try again later. Uploaded on Jul 30, 2007. Star Trek Insurrection Trailer. The Star Trek film series is the cinematic branch of the Star Trek media franchise, which began in 1966 as a weekly television series on NBC, running for three. James Joyce's 'Ulysses' is one of the most challenging and rewarding novels ever written. Visit Biography.com to learn about Joyce's life and monumental work. James Augustine Aloysius Joyce (Dublín, 2 de febrero de 1882 – Zúrich, 13 de enero de 1941) fue un escritor irlandés, reconocido mundialmente como uno de los. Robert Berry’s comic adaptation of the 1922 edition of James Joyce’s epic novel, ULYSSES accompanied by a page-by-page reader’s guide and dramatis personae. James Augustine Aloysius Joyce was born on 2 February 1882 to John Stanislaus Joyce and Mary Jane 'May' Murray, in the Dublin suburb of Rathgar. James Augustine Aloysius Joyce (2 February 1882 – 13 January 1941) was an Irish novelist and poet, considered to be one of the most influential writers in the modernist avant-garde of the early 20th century. Enjoy the best James Joyce Quotes at BrainyQuote. Quotations by James Joyce, Irish Novelist, Born February 2, 1882. Share with your friends. James Joyce (February 2, 1882 - January 13, 1941) was one of the most preeminent Irish authors of the twentieth century. He is known for his literary innovation such. James Joyce UlyssesJames Joyce (James Augustine Aloysius Joyce, 2 février 1882 à Dublin - 13 janvier 1941 à Zurich) est un romancier et poète irlandais expatrié, considéré comme. About The James Joyce Pub: Welcome to 'Baltimore's Home of Irish Hospitality'. Our cozy, inviting atmosphere is the ideal place to enjoy a pint with an authentic. Translate Espejo in English. Get the most accurate Spanish to English translations. Fast. Easy. Free. Espejo s. m. 1 Superficie pulida de cristal, cubierta en su cara posterior por una capa de mercurio o por una plancha de metal, en la que se reflejan la luz y las. Espejo - Significados en español y discusiones con el uso de 'espejo'. Espejo Retrovisor Monitor 4.3¨ Cámara Para todos las marcas y modelos. Tenga un 100% de visión a la hora de ir en retroceso, parquear. Dispositivo OEM Instalación, Garantía y Respaldo PENNCAR PENNCAR Soluciones Inteligentes para su Vehículo Tel: 2222-5026','url':'http://www.youtube.com/watch?v=agQgBETgyO0','og_descr':'Espejo Retrovisor Monitor 4.3¨ Cámara Para todos las marcas y modelos. Tenga un 100% de visión a la hora de ir en retroceso, parquear. Dispositivo OEM Instal... Un espejo retrovisor es un tipo funcional de espejo que poseen los automóviles y otros vehículos, que están diseñados para permitirle al conductor ver el área. Espejo Retrovisor En InglesEspejo Retrovisor Monitor 4.3¨ Cámara Para todos las marcas y modelos. Tenga un 100% de visión a la hora de ir en retroceso, parquear. Dispositivo OEM.
Hola. Ando interesado en encontrar un espejo retrovisor para la bici de viajes. Al llevar un manillar 'mariposa' necesitaría uno de los que se ajustan con arandela y. Fall TV Preview. Our Fall TV Preview offers everything you need to dive in to one of the most jam-packed seasons ever! Welcome to TFAW Comics: If you've been looking for a comic book store, look no further. Things From Another World is the premier retailer of comics, toys. An angel is a supernatural being or spirit found in various religions and mythologies. In Abrahamic religions and Zoroastrianism, angels are often depicted as benevolent celestial beings who act as intermediaries between God or Heaven and Earth, or as guardian spirits or a guiding influence. Other roles of angels include protecting and guiding human beings, and carrying out God's tasks. The term "angel" has also been expanded to various notions of spirits found in many other religious traditions. The theological study of angels is known as "angelology". In art, angels are often depicted with bird-like wings on their back, a halo, robes and various forms of glowing light. The word angel in English is a blend of Old English engel (with a hard g) and Old French angele. Both derive from Late Latin angelus "messenger", which in turn was borrowed from Late Greek ἄγγελος ángelos. According to R. S. P. Beekes, ángelos itself may be "an Oriental loan, like ἄγγαρος ['Persian mounted courier']." The word's earliest form is Mycenaean a-ke-ro attested in Linear B syllabic script. The ángelos is the default Septuagint's translation of the Biblical Hebrew term mal’ākh denoting simply "messenger" without specifying its nature. In the Latin Vulgate, however, the meaning becomes bifurcated: when mal’ākh or ángelos is supposed to denote a human messenger, words like nuntius or legatus are applied. If the word refers to some supernatural being, the word angelus appears. Such differentiation has been taken over by later vernacular translations of the Bible, early Christian and Jewish exegetes and eventually modern scholars. In Zoroastrianism there are different angel-like figures. For example, each person has one guardian angel, called Fravashi. They patronize human beings and other creatures, and also manifest God's energy. The Amesha Spentas have often been regarded as angels, although there is no direct reference to them conveying messages, but are rather emanations of Ahura Mazda ("Wise Lord", God); they initially appeared in an abstract fashion and then later became personalized, associated with diverse aspects of the divine creation. The Torah uses the (Hebrew) terms מלאך אלהים (mal'āk̠ 'ĕlōhîm; messenger of God), מלאך יהוה (mal'āk̠ YHWH; messenger of the Lord), בני אלהים (bənē 'ĕlōhîm; sons of God) and הקודשים (haqqôd̠əšîm; the holy ones) to refer to beings traditionally interpreted as angels. Later texts use other terms, such as העליונים (hā'elyônîm; the upper ones). The term מלאך (mal'āk̠) is also used in other books of the Tanakh. Depending on the context, the Hebrew word may refer to a human messenger or to a supernatural messenger. A human messenger might be a prophet or priest, such as Malachi, "my messenger"; the Greek superscription in the Septuagint translation states the Book of Malachi was written "by the hand of his messenger" ἀγγέλου angélu. Examples of a supernatural messenger are the "Malak YHWH," who is either a messenger from God, an aspect of God (such as the Logos), or God himself as the messenger (the "theophanic angel.") Scholar Michael D. Coogan notes that it is only in the late books that the terms "come to mean the benevolent semi divine beings familiar from later mythology and art." Daniel is the first biblical figure to refer to individual angels by name, mentioning Gabriel (God's primary messenger) in Daniel 9:21 and Michael (the holy fighter) in Daniel 10:13. These angels are part of Daniel's apocalyptic visions and are an important part of all apocalyptic literature. Coogan explains the development of this concept of angels: "In the postexilic period, with the development of explicit monotheism, these divine beings—the 'sons of God' who were members of the Divine Council—were in effect demoted to what are now known as 'angels', understood as beings created by God, but immortal and thus superior to humans." This conception of angels is best understood in contrast to demons and is often thought to be "influenced by the ancient Persian religious tradition of Zoroastrianism, which viewed the world as a battleground between forces of good and forces of evil, between light and darkness." One of these is hāšāṭān, a figure depicted in (among other places) the Book of Job. Philo of Alexandria identifies the angel with the Logos inasmuch as the angel is the immaterial voice of God. The angel is something different from God Himself, but is conceived as God's instrument. In post-Biblical Judaism, certain angels took on particular significance and developed unique personalities and roles. Though these archangels were believed to rank among the heavenly host, no systematic hierarchy ever developed. Metatron is considered one of the highest of the angels in Merkabah and Kabbalist mysticism and often serves as a scribe; he is briefly mentioned in the Talmud and figures prominently in Merkabah mystical texts. Michael, who serves as a warrior and advocate for Israel (Daniel 10:13), is looked upon particularly fondly. Gabriel is mentioned in the Book of Daniel (Daniel 8:15–17) and briefly in the Talmud, as well as in many Merkabah mystical texts. There is no evidence in Judaism for the worship of angels, but there is evidence for the invocation and sometimes even conjuration of angels. Medieval Jewish philosopher Maimonides explained his view of angels in his Guide for the Perplexed II:4 and II ... According to Kabalah, there are four worlds and our world is the last world: the world of action (Assiyah). Angels exist in the worlds above as a 'task' of God. They are an extension of God to produce effects in this world. After an angel has completed its task, it ceases to exist. The angel is in effect the task. This is derived from the book of Genesis when Abraham meets with three angels and Lot meets with two. The task of one of the angels was to inform Abraham of his coming child. The other two were to save Lot and to destroy Sodom and Gomorrah. Maimonides, in his Yad ha-Chazakah: Yesodei ha-Torah, counts ten ranks of angels in the Jewish angelic hierarchy, beginning from the highest: Rank Angel Notes 1 Chayot Ha Kodesh See Book of Ezekiel chs. 1 and 10 2 Ophanim See Ezekiel chs. 1 and 10 3 Erelim See Book of Isaiah 33:7 4 Hashmallim See Ezekiel 1:4 5 Seraphim See Isaiah 6 6 Malakim Messengers, angels 7 Elohim "Godly beings" 8 Bene Elohim "Sons of Godly beings" 9 Cherubim See Talmud Hagigah 10 Ishim "manlike beings", see Book of Genesis 18:2, Book of Daniel 10:5 From the Jewish Encyclopedia, entry "angelology". * There are only two angels mentioned by name in the Hebrew Bible; the rest are from extra-biblical tradition. Michael (translation: who is like God?), kindness of God* Gabriel (archangel) (translation: the strength of God), performs acts of justice and power* Raphael (translation: God Heals), God's healing force Uriel (translation: God is my light), leads us to destiny Samael (translation: the severity of God), angel of death—see also Malach HaMavet (translation: the angel of death) Sandalphon (translation: bringing together), battles Samael and brings mankind together Jophiel (translation: Beauty of God), expelled Adam and Eve from the Garden of Eden holding a flaming sword and punishes those who transgress against God. Later Christians inherited Jewish understandings of angels, which in turn may have been partly inherited from the Egyptians. In the early stage, the Christian concept of an angel characterized the angel as a messenger of God. Later came identification of individual angelic messengers: Gabriel, Michael, Raphael, Uriel, and Lucifer. Then, in the space of little more than two centuries (from the 3rd to the 5th) the image of angels took on definite characteristics both in theology and in art. According to St Augustine, " 'Angel' is the name of their office, not of their nature. If you seek the name of their nature, it is 'spirit'; if you seek the name of their office, it is 'angel': from what they are, 'spirit', from what they do, 'angel'" Basilian Father Thomas Rosica says, "Angels are very important, because they provide people with an articulation of the conviction that God is intimately involved in human life." By the late 4th century, the Church Fathers agreed that there were different categories of angels, with appropriate missions and activities assigned to them. There was, however, some disagreement regarding the nature of angels. Some argued that angels had physical bodies, while some maintained that they were entirely spiritual. Some theologians had proposed that angels were not divine but on the level of immaterial beings subordinate to the Trinity. The resolution of this Trinitarian dispute included the development of doctrine about angels. The angels are represented throughout the Christian Bible as spiritual beings intermediate between God and men: "You have made him [man] a little less than the angels ..." (Psalms 8:4-5). The Bible describes the function of angels as "messengers" but does not indicate when the creation of angels occurred. Christians believe that angels are created beings, based on (Psalms 148:2-5; Colossians 1:16): "praise ye Him, all His angels: praise ye Him, all His hosts ... for He spoke and they were made. He commanded and they were created ...". The Fourth Lateran Council (1215) declared that the angels were created beings. The Council's decree Firmiter credimus (issued against the Albigenses) declared both that angels were created and that men were created after them. The First Vatican Council (1869) repeated this declaration in Dei Filius, the "Dogmatic constitution on the Catholic faith". Thomas Aquinas (13th century) relates angels to Aristotle's metaphysics in his Summa contra Gentiles, Summa Theologica, and in De substantiis separatis, a treatise on angelology. Although angels have greater knowledge than men, they are not omniscient, as Matthew 24:36 points out. Forget not to show love unto strangers: for thereby some have entertained angels unawares.—Hebrews 13:2 ” The New Testament includes many interactions and conversations between angels and humans. For instance, three separate cases of angelic interaction deal with the births of John the Baptist and Jesus Christ. In Luke 1:11, an angel appears to Zechariah to inform him that he will have a child despite his old age, thus proclaiming the birth of John the Baptist. In Luke 1:26 the Archangel Gabriel visits the Virgin Mary in the Annunciation to foretell the birth of Jesus Christ. Angels then proclaim the birth of Jesus in the Adoration of the shepherds in Luke 2:10. According to Matthew 4:11, after Jesus spent 40 days in the desert, "...the devil left him and, behold, angels came and ministered to him." In Luke 22:43 an angel comforts Jesus Christ during the Agony in the Garden. In Matthew 28:5 an angel speaks at the empty tomb, following the Resurrection of Jesus and the rolling back of the stone by angels. In 1851 Pope Pius IX approved the Chaplet of Saint Michael based on the 1751 reported private revelation from archangel Michael to the Carmelite nun Antonia d'Astonac. In a biography of Saint Gemma Galgani written by Venerable Germanus Ruoppolo, Galgani stated that she had spoken with her guardian angel. Pope John Paul II emphasized the role of angels in Catholic teachings in his 1986 address titled "Angels Participate In History Of Salvation", in which he suggested that modern mentality should come to see the importance of angels. According to the Vatican's Congregation for Divine Worship and Discipline of the Sacraments, "The practice of assigning names to the Holy Angels should be discouraged, except in the cases of Gabriel, Raphael and Michael whose names are contained in Holy Scripture." In the New Church, there is extensive information provided concerning angels and the spiritual world in which they dwell from many years of spiritual experiences recounted in the writings of Emanuel Swedenborg. All angels are in human form with a spiritual body, and are not just minds without form. There are different orders of angels according to the three heavens, and each angel dwells in one of innumerable societies of angels. Such a society of angels can appear as one angel as a whole. All angels originate from the human race, and there is not one angel in heaven who first did not live in a material body. Moreover, all children who die not only enter heaven but eventually become angels. The life of angels is that of usefulness, and their functions are so many that they cannot be enumerated. However each angel will enter a service according to the use that they had performed in their earthly life. Names of angels, such as Michael, Gabriel, and Raphael, signify a particular angelic function rather than an individual being. While living in one's body an individual has conjunction with heaven through the angels, and with each person, there are at least two evil spirits and two angels. Temptation or pains of conscience originates from a conflict between evil spirits and angels. Due to man's sinful nature it is dangerous to have open direct communication with angels and can only be seen when one's spiritual sight has been opened. Thus from moment to moment angels attempt to lead each person to what is good tacitly using the person's own thoughts. Adherents of The Church of Jesus Christ of Latter-day Saints (LDS Church) view angels as the messengers of God. They are sent to mankind to deliver messages, minister to humanity, teach doctrines of salvation, call mankind to repentance, give priesthood keys, save individuals in perilous times, and guide humankind. Latter Day Saints believe that angels either are the spirits of humans who are deceased or who have yet to be born, or are humans who have been resurrected or translated and have physical bodies of flesh and bones, and accordingly Joseph Smith taught that "there are no angels who minister to this earth but those that do belong or have belonged to it." As such, Latter Day Saints also believe that Adam, the first man, was and is now the archangel Michael, and that Gabriel lived on the earth as Noah. Likewise the Angel Moroni first lived in a pre-Columbian American civilization as the 5th-century prophet-warrior named Moroni. Joseph Smith, Jr. described his first angelic encounter thus: " Most angelic visitations in the early Latter Day Saint movement were witnessed by Joseph Smith and Oliver Cowdery, who both claimed (prior to the establishment of the church in 1830) to have been visited by the prophet Moroni, John the Baptist, and the apostles Peter, James, and John. Later, after the dedication of the Kirtland Temple, Smith and Cowdery claimed to have been visited by Jesus, and subsequently by Moses, Elias, and Elijah. People who claimed to have received a visit by an angel include the other two of the Three Witnesses: David Whitmer and Martin Harris. Many other Latter Day Saints, both in the early and modern church, have claimed to have seen angels, though Smith posited that, except in extenuating circumstances such as the restoration, mortals teach mortals, spirits teach spirits, and resurrected beings teach other resurrected beings. In the commentaries of Proclus (4th century, under Christian rule) on the Timaeus of Plato, Proclus uses the terminology of "angelic" (aggelikos) and "angel" (aggelos) in relation to metaphysical beings. According to Aristotle, just as there is a First Mover, so, too, must there be spiritual secondary movers. Angels (Arabic: ملائكة , Malāʾikah) are mentioned many times in the Qur'an and Hadith. Islam is clear on the nature of angels in that they are messengers of God. They have no free will, and can do only what God orders them to do. An example of a task they carry out is that of testing individuals by granting them abundant wealth and curing their illness. Believing in angels is one of the six Articles of Faith in Islam. Some examples of angels in Islam: Jibrail: the archangel Gabriel (Jibra'il or Jibril) is an archangel who serves as a messenger from God. Michael (archangel): or Mikail, the angel of nature. Israfil (Arabic: إسرافيل, translit.: Isrāfīl, Alternate Spelling: Israfel or Seraphim, Meaning: The Burning One ), is the angel of the trumpet in Islam, though unnamed in the Qur'an. Along with Mikhail, Jibrail and Izra'il, he is one of the four Islamic archangels. Israfil will blow the trumpet from a holy rock in Jerusalem to announce the Day of Resurrection. The trumpet is constantly poised at his lips, ready to be blown when God so orders. Darda'il: the angels who travel in the earth searching out assemblies where people remember God's name. Azrael is Azraa-eel عزرائيل or Izrail: the Angel of Death. No authentic reference of this in Quran or Hadeeth. Only referenced as angel of death or ملك الموت. Kiraman Katibin: the two angels who record a person's good and bad deeds. Mu'aqqibat: a class of guardian angels who keep people from death until its decreed time. Munkar and Nakir: the angels who test the faith of the dead in their graves. They ask the soul of the dead person questions. If the person fails the questions, the angels make the man suffer until the Day of Judgement. If the soul passes the questions, he will have a pleasant time in the grave until the Day of Judgement. Ridwan: the angel in charge of maintaining Jannat or Paradise. Maalik: the angel who keeps or guards hellfire. Harut and Marut (Arabic: هاروت وماروت) are two angels mentioned in the second Surah of the Qur'an, who were sent down to test the people at Babel or Babylon by performing deeds of magic. (Sura Al-Baqara, verse 102.) The Qur'an indicates that although they warned the Babylonians not to imitate them or do as they were doing, some members of their audience failed to obey and became sorcerers, thus damning their own souls. The poetry of the holy scripture of the Sikhs – the Sri Guru Granth Sahib – figuratively mentions a messenger or angel of death, sometimes as Yam (ਜਮ – "Yam") and sometimes as Azrael (ਅਜਰਾਈਲੁ – "Ajraeel"): ਜਮ ਜੰਦਾਰੁ ਨ ਲਗਈ ਇਉ ਭਉਜਲੁ ਤਰੈ ਤਰਾਸਿ The Messenger of Death will not touch you; in this way, you shall cross over the terrifying world-ocean, carrying others across with you. — Sri Guru Granth Sahib, Siree Raag, First Mehl, p. 22. ਅਜਰਾਈਲੁ ਯਾਰੁ ਬੰਦੇ ਜਿਸੁ ਤੇਰਾ ਆਧਾਰੁ Azraa-eel, the Messenger of Death, is the friend of the human being who has Your support, Lord. — Sri Guru Granth Sahib, Tilang, Fifth Mehl, Third House, p. 724. In a similar vein, the Sri Guru Granth Sahib talks of a figurative Chitar (ਚਿਤ੍ਰ) and Gupat (ਗੁਪਤੁ): ਚਿਤ੍ਰ ਗੁਪਤੁ ਸਭ ਲਿਖਤੇ ਲੇਖਾ ॥ ਭਗਤ ਜਨਾ ਕਉ ਦ੍ਰਿਸਟਿ ਨ ਪੇਖਾ Chitar and Gupat, the recording angels of the conscious and the unconscious, write the accounts of all mortal beings, / but they cannot even see the Lord's humble devotees. — Sri Guru Granth Sahib, Aasaa, Fifth Mehl, Panch-Pada, p. 393. However, Sikhism has never had a literal system of angels, preferring guidance without explicit appeal to supernatural orders or beings. In his Book of Certitude Bahá'u'lláh, founder of the Bahá'í Faith, describes angels as people who "have consumed, with the fire of the love of God, all human traits and limitations", and have "clothed themselves" with angelic attributes and have become "endowed with the attributes of the spiritual". 'Abdu'l-Bahá describes angels as the "confirmations of God and His celestial powers" and as "blessed beings who have severed all ties with this nether world" and "been released from the chains of self", and "revealers of God's abounding grace". The Bahá'í writings also refer to the Concourse on High, an angelic host, and the Maid of Heaven of Bahá'u'lláh's vision. In the teachings of the Theosophical Society, Devas are regarded as living either in the atmospheres of the planets of the solar system (Planetary Angels) or inside the Sun (Solar Angels) and they help to guide the operation of the processes of nature such as the process of evolution and the growth of plants; their appearance is reputedly like colored flames about the size of a human. It is believed by Theosophists that devas can be observed when the third eye is activated. Some (but not most) devas originally incarnated as human beings. It is believed by Theosophists that nature spirits, elementals (gnomes, undines, sylphs, and salamanders), and fairies can be also be observed when the third eye is activated. It is maintained by Theosophists that these less evolutionarily developed beings have never been previously incarnated as humans; they are regarded as being on a separate line of spiritual evolution called the "deva evolution"; eventually, as their souls advance as they reincarnate, it is believed they will incarnate as devas. It is asserted by Theosophists that all of the above-mentioned beings possess etheric bodies that are composed of etheric matter, a type of matter finer and more pure that is composed of smaller particles than ordinary physical plane matter. According to the Kabbalah as described by the Golden Dawn there are ten archangels, each commanding one of the choir of angels and corresponding to one of the Sephirot. It is similar to the Jewish angelic hierarchy. Rank Choir of Angels Translation Archangel Sephirah 1 Hayot Ha Kodesh Holy Living Ones Metatron Keter 2 Ophanim Wheels Raziel Chokmah 3 Erelim Brave ones Tzaphkiel Binah 4 Hashmallim Glowing ones, Amber ones Tzadkiel Chesed 5 Seraphim Burning Ones Khamael Gevurah 6 Malakim Messengers, angels Raphael Tipheret 7 Elohim Godly Beings Uriel Netzach 8 Bene Elohim Sons of Elohim Michael Hod 9 Cherubim Gabriel Yesod 10 Ishim Men (man-like beings, phonetically similar to "fires") Sandalphon Malkuth The Brahma Kumaris uses the term "angel" to refer to a perfect, or complete state of the human being, which they believe can be attained through a connection with God. In an address during a General Audience of 6 August 1986, entitled "Angels participate in the history of salvation", Pope John Paul II explained that "[T]he angels have no 'body' (even if, in particular circumstances, they reveal themselves under visible forms because of their mission for the good of people)." Angels are however often depicted in painting and sculpture as male humans. Christian art perhaps reflects the descriptions in Revelation 4:6–8 of the Four Living Creatures (Greek: τὰ τέσσαρα ζῷα) and the descriptions in the Hebrew Bible of cherubim and seraphim (the chayot in Ezekiel's Merkabah vision and the Seraphim of Isaiah). However, while cherubim and seraphim have wings in the Bible, no angel is mentioned as having wings. The earliest known Christian image of an angel—in the Cubicolo dell'Annunziazione in the Catacomb of Priscilla (mid-3rd century)—is without wings. In that same period, representations of angels on sarcophagi, lamps and reliquaries also show them without wings, as for example the angel in the Sacrifice of Isaac scene in the Sarcophagus of Junius Bassus (although the side view of the Sarcophagus shows winged angelic figures). The earliest known representation of angels with wings is on the "Prince's Sarcophagus", discovered in the 1930s at Sarigüzel, near Istanbul, and attributed to the time of Theodosius I (379–395). From that period on, Christian art has represented angels mostly with wings, as in the cycle of mosaics in the Basilica of Saint Mary Major (432–440). Four- and six-winged angels, drawn from the higher grades of angels (especially cherubim and seraphim) and often showing only their faces and wings, are derived from Persian art and are usually shown only in heavenly contexts, as opposed to performing tasks on earth. They often appear in the pendentives of church domes or semi-domes. Prior to the Judeo-Christian tradition, in the Greek world the goddess Nike and the gods Eros and Thanatos were also depicted in human-like form with wings. Saint John Chrysostom explained the significance of angels' wings: Angels are typically depicted in Mormon art as having no wings based on a quote from Joseph Smith ("An angel of God never has wings"). In terms of their clothing, angels, especially the Archangel Michael, were depicted as military-style agents of God and came to be shown wearing Late Antique military uniform. This uniform could be the normal military dress, with a tunic to about the knees, an armour breastplate and pteruges, but was often the specific dress of the bodyguard of the Byzantine Emperor, with a long tunic and the loros, the long gold and jewelled pallium restricted to the Imperial family and their closest guards. The basic military dress was shown in Western art into the Baroque period and beyond (see Reni picture above), and up to the present day in Eastern Orthodox icons. Other angels came to be conventionally depicted in long robes, and in the later Middle Ages they often wear the vestments of a deacon, a cope over a dalmatic; this costume was used especially for Gabriel in Annunciation scenes—for example the Annunciation in Washington by Jan van Eyck. Apsara Dakini Elioud Eudaemon Fallen angel Gandharva Hierarchy of angels How many angels can dance on the head of a pin? In paradisum Nephilim Shoulder angel Watcher or Grigori Yaksha Cheyne, James Kelly (ed.) (1899). Angel. Encyclopædia Biblica. New York, Macmillan. Driver, Samuel Rolles (Ed.) (1901) The book of Daniel. Cambridge UP. Davidson, A. B. (1898). "Angel". In James Hastings. A Dictionary of the Bible I. pp. pages 93–97. CS1 maint: Extra text (link) Oosterzee, Johannes Jacobus van. Christian dogmatics: a text-book for academical instruction and private study. Trans. John Watson Watson and Maurice J. Evans. (1874) New York, Scribner, Armstrong. Smith, George Adam (1898) The book of the twelve prophets, commonly called the minor. London, Hodder and Stoughton. Bamberger, Bernard Jacob, (15 March 2006). Fallen Angels: Soldiers of Satan's Realm. Jewish Publication Society of America. ISBN 0-8276-0797-0 Briggs, Constance Victoria, 1997. The Encyclopedia of Angels : An A-to-Z Guide with Nearly 4,000 Entries. Plume. ISBN 0-452-27921-6. Bunson, Matthew, (1996). Angels A to Z: A Who's Who of the Heavenly Host. Three Rivers Press. ISBN 0-517-88537-9. Cruz, Joan Carroll, OCDS, 1999. Angels and Devils. TAN Books and Publishers, Inc. ISBN 0-89555-638-3 Davidson, Gustav. A Dictionary of Angels: Including the Fallen Angels. Free Press. ISBN 0-02-907052-X Graham, Billy, 1994. Angels: God's Secret Agents. W Pub Group; Minibook edition. ISBN 0-8499-5074-0 Guiley, Rosemary, 1996. Encyclopedia of Angels. ISBN 0-8160-2988-1 Jastrow, Marcus, 1996, A dictionary of the Targumim, the Talmud Bavli and Yerushalmi, and the Midrashic literature compiled by Marcus Jastrow, PhD., Litt.D. with and index of Scriptural quotatons, Vol 1 & 2, The Judaica Press, New York Kainz, Howard P., "Active and Passive Potency" in Thomistic Angelology Martinus Nijhoff. ISBN 90-247-1295-5 Kreeft, Peter J. 1995. Angels and Demons: What Do We Really Know About Them? Ignatius Press. ISBN 0-89870-550-9 Lewis, James R. (1995). Angels A to Z. Visible Ink Press. ISBN 0-7876-0652-9 Melville, Francis, 2001. The Book of Angels: Turn to Your Angels for Guidance, Comfort, and Inspiration. Barron's Educational Series; 1st edition. ISBN 0-7641-5403-6 Michalak, Aleksander R. (2012), Angels as Warriors in Late Second Temple Jewish Literature.Mohr Siebeck. ISBN 978-3-16-151739-6. Muehlberger, Ellen (2013). Angels in Late Ancient Christianity. Oxford University Press. ISBN 978-0199931934 Ronner, John, 1993. Know Your Angels: The Angel Almanac With Biographies of 100 Prominent Angels in Legend & Folklore-And Much More! Mamre Press. ISBN 0-932945-40-6. Swedenborg E. Heaven and its Wonders and Hell From Things Heard and Seen (Swedenborg Foundation 1946), ISBN 0-554-62056-1 (Detailed information on angels and their life in heaven) Swedenborg, E. Wisdom's Delight in Marriage ("Conjugial") Love: Followed by Insanity's Pleasure in Promiscuous Love (Swedenborg Foundation 1979 ISBN 0-87785-054-2) (Extensive review of angelic marriage) Wikimedia Commons has media related to Angels. Wikiquote has quotations related to: Angels Zoroastrian angels Jewish Encyclopedia entry on angels Angels in Islam Congregation for Divine Worship and the Discipline of the Sacraments. Directory of Popular Piety and the Liturgy, §§ 212-217, "The Holy Angels, Vatican City, December 2001 An angel is a supernatural being or spirit found in various religions and mythologies. In Abrahamic religions and Zoroastrianism, angels are often depicted as. Independent 24-hour Christian Television Network established by Danny and Linda Shelton in 1984 with a mission to reach the world with the gospel. Includes streaming. Visiting Angels is a national, private duty network of home care agencies. We are proud to be the nation’s leading provider of non-medical senior home care services. (this video's music is not mine. it is made by the band 'the red jumpsuit apparatus'. these are meerly lyrics for your enjoyment) I DO NOT ADVERTISE ON MY. Large searchable database of information on Catholic saints. Saints, Catholic Saints. Thousands of Catholic Saints with biographical data, prayers, images, etc. The. The Hells Angels Motorcycle Club (HAMC) is a worldwide one-percenter motorcycle club whose members typically ride Harley-Davidson motorcycles. The organization is. Branded (Fall of Angels Book 1) - Kindle edition by Keary Taylor. 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